running until 21 August
In their debut performance, the New Match Collective presents an honest, straight-talking appraisal of the 2016 dating scene. From Tinder to OKCupid; from obsessing over which punctuation to use, to sending (or not sending) nudes; and from the thrill of a first date, to the utter desolation of heartbreak when it all ends – six women share the highs and lows of modern romance.
The performances are all engaging, with stand-outs from Lisa Ashby and Sarah MacKenzie, and we immediately warm to their frank and funny anecdotes of negotiating swiping, messaging and dating. Read More »
running until 20 August
Cherise Stefanie returns to the stage as The Curious Girl, The Sexy Girl, The Have-It-All Girl, The Lonely Girl and, eventually, The Real Girl. Her smorgasbond of trips down memory lane encompasses glitter, dance routines, nail-painting, break-ups and more in a reflection on what has made her the woman she is today.
On her opening night, Stefanie’s performance does come across as a little nervous; her patter with the audience is occasionally stilted and she seeks to explain away the few technical niggles or props errors that creep in, rather than continuing her flow. It would be wonderful to see her hone her stage presence a bit more, as all the ingredients are here for a successful show.Read More »
running until 19 August
Set in a pub and staged in a pub, The Fellowship is the latest work from Hodgson Creed Productions, who specialise in telling the stories of the storytellers – in this case of C.S. Lewis and J.R.R. Tolkien, creators of Narnia and Middle Earth.
Written by Brian Hodgson (co-founder of the company), this new work visits Lewis and Tolkien (or Jack and Tollers, as we come to know them as) in the fledgling days of their friendship, Read More »
The Camden Fringe has been playing for a week with plenty of theatre, comedy and more popping up all over the borough. You can find out more about the festival here, and catch up on the comedy highlights here, but below is a run-down of some of the theatre programme continuing throughout August:
Sonder – The Cockpit | 6-8 August
This piece of physical theatre focuses on the concept of ‘sonder’ – the realisation that each stranger and passer-by is living a life as vivid and complex as your own. Centrality theatre company are presenting the piece in conjunction with Birmingham charity St Basil’s to raise awareness of homelessness in Britain. Performers Grace Bussey and Rosanna Stanton told me “it’s about opening your mind to the people around you on the street. You can see the same people everyday and you never talk to them and don’t register what’s going on with them.” It’s a striking concept to bring to London, notoriously the city where no-one speaks to each other on the tube, and it will be interesting to see how the show link this idea with the aim raising awareness for the homeless. The company is made up of recent graduates from the Birmingham School of Acting, and Sonder is their debut production. Catch them at The Cockpit tomorrow night for their final show. More information here.
Garden of Eden – Hen and Chickens | 8-9 August
This contemporary adaptation of the Adam and Eve story is all centred on power struggles within a relationship and had a rehearsed reading at the Rag Factory a couple of years ago. Read More »
playing until Saturday 6 Aug, then at the Edinburgh Fringe (Gilded Balloon) 8-29 August
In their first outing at the Camden Fringe, Buckle Up Theatre’s latest physical comedy presents four characters on a mysterious journey as they move from being a group of strangers to a tight-knit unit. It’s fun and captivating, with a scattering of poignant moments that draw the show in another direction. The piece is at its most successful when there is no dialogue, and the cast are free to show their exuberant facial expressions and detailed physical movements.
We begin with a vibrant section of joyous physicality, as the cast of four shuffle and scuffle past each other in the guise of travellers caught in a crush, all to the backing of lively Spanish music. The colliding, ducking and pushing will be hilariously familiar to anyone who has to negotiate the London transport system on a daily basis. Read More »