Squeezed into the intimate theatre space above the Hope and Anchor on Upper Street, Szymon Ruszczewski’sset for Torn Apart resembles a birdcage, as white string surrounds the playing area in a web-like structure. But is the cage keeping the couples safe or trapping them?
The relationships in this piece have a similar conflict: at times they are liberating, at others stifling; they open doors to new passions and new world, but they are all heading towards irrevocable ends. Across the decades, three couples in three bedrooms pursue lustful encounters that flourish into close relationships, that crumble into heartbreak. BJ McNeill’s play presents sex in all its messy, sweaty glory, and the intimacy of the space means the audience really feels like a fly on the wall – almost like a voyeur as the characters abandon themselves to desire.
Torn Apart is at its strongest when the script captures the authenticity of conversationRead More »
After several years when it looked like this stage adaptation of Alan Warner’s novel The Sopranos might be stuck in development hell, writer Lee Hall and director Vicky Featherstone finally mounted the premiere of Our Ladies of Perpetual Succour in Edinburgh in 2015. Since then, it has toured Scotland and the north of England before Londoners hailed its arrival at the National Theatre last year – a run which won Best New Comedy at this year’s Olivier Awards. Now Our Ladies are making their West End debut as the show transfers to the Duke of York’s, injecting a fierce dose of teenage rebellion into the walls of this Victorian playhouse.
What’s thrilling about this show is that it allows these six young actresses to be very, very funny – in a way that isn’t offered all too often in the West End. Read More »
I spend a lot of my time in theatres. Big ones, small ones, old ones, new ones. Mostly I’m sitting in the auditorium, and when my day job does involve working behind the scenes, it’s normally in a rush of whatever event happens to be taking place. So I decided to take the opportunity to get an insight into my local theatre at a more relaxed pace.
ATG offers tours around the New Wimbledon Theatre (which it started managing in 2003) on the last Saturday of every month at £10 for a 90-minute tour – although if you get lucky like me, you’ll get a guide whose enthusiasm means the tour runs closer to 2 hours!
I only found out about the tour from a single email during the week, and the low level of marketing might explain we were a group of just four on Saturday. But I’m not complaining: the small group meant we got a lot more chances to ask questions Read More »
As the Bush Theatre reopens its doors after a year-long £4 million redevelopment, Jamie Lloyd relaunches the main house with his European premiere of Rajiv Joseph’s Guards At The Taj, itself toying with the price of a beautiful building. Lloyd’s trademark blend of richness and gore comes to the fore in this intense burst of a story, which places human fragility alongside the majesty of great architecture.
The play opens with a conversation between two imperial guards who aren’t allowed to be talking, about one of the most beautiful sights in the world that they aren’t allowed to look at. Read More »
The Vault Festival has returned to its subterranean home under Waterloo station for a fifth year, once again fillings its buzzing spaces with a varied programme. My first taste of this year’s festival was Hip by Kriya Arts, a fascinating hour taking a peek into a stranger’s life, which reveals as much about the creator of the show as its subject.
As with previous Kriya Arts shows, this is an ‘extra live’ performance, meaning – in a similar way to a relaxed performance – the audience are free to make noise, move around and even take photos. We’re also encouraged to get actively involved in the shaping of the show, choosing which elements to explore and reading extracts of letters or diaries. It makes the whole feel of the show more relaxed and instantly draws the audience together in a united experience; as well as a more accessible kind of theatre, this also suits the show’s subject matter as we are invited into the living room of a squat, making our way into the building after an introduction outside The Vaults front entrance.Read More »